Gig photos

I tried a few times now to take good pictures during live gigs. It’s hard, but I’m getting better at it. Main challenge: capture the right moments, while not using flash.

These were made last weekend, during a show of Italian prog band The Watch. I’m happy with the results, although I would’ve preferred a darker background on the drummer and bass player to match the other foto’s. My goal was to get exactly this atmosphere – dark background and profiles of the musicians, showing them either fully focussed, happy, or both.

My current gear: Nikon D3200 (simple, effective even if a bit slow sometimes) and a Nikon 70-200mm F.2.8 VR objective.

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Track of the Day: Steam Theory – Asunder

On this mid March Monday, the new track of the day is for Steam Theory, a project started by multi-instrumentalist (they grow on trees these day) Jason Denkevitz. He’s composed, recorded and released the album Asunder by himself, and has now found the right people to make this into a full blown band, that performs live. The title track of the album is a good sample of what Jason means by progressive rock/fusion music – so enjoy Asunder. Enjoy it like I enjoyed finding out through pictures on the band web site that Jason performs sitting down on a chair, just like Robert Fripp…

Track of the day: Fish – State of Mind

I’ve been a Marillion fan for years, but mainly of the Fish era. Partly because of the music the band created at the time, partly because of the emotion the big man managed to put in both his lyrics and vocals. That didn’t change when he left, and he found great musicians for his debut album, including one of my favourite bass players, John Giblin. On this track, from the album Vigil in a Wilderness of Mirrors, the fretless bass provides the signature of the song, which lyrically deals with the political situation in the UK at the end of the Thatcher era.
So, a second ‘Friday track of the day’, one of my all time favourites. See you on Monday for a new track, from a new album.

Enjoy once, and then again…

Night of the Prog, part 4: Luna Kiss added as opening act

Two more slots to fill on Night of the Prog, today Luna Kiss were added as opening act on Friday, and IO Earth were moved to Friday.

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Friday, 17.07.2015

  • 13.30 h Luna Kiss
  • 15.00 h TBA
  • 16.30 h Beardfish
  • 18.20 h Anneke van Giersbergen presents The Gentle Storm
  • 20.30 h Pendragon
  • 23.00 h Camel

Saturday 18. Juli 2015

  • 12.00 h IO Earth
  • 13.30 h TBA
  • 15.00 h Sylvan
  • 16.45 h Lazuli
  • 18.30 h TBA
  • 20.30 h Riverside
  • 23.00 h Fish – 30th Anniversary Misplaced Childhood Show

Sunday 19. Juli 2015

  • 12.00 h Special Providence
  • 13.30 h Kaipa DaCapo
  • 15.00 h Haken
  • 16.30 h Steve Rothery Band
  • 18.15 h Pain Of Salvation
  • 20.30 h Steve Hackett plays Genesis Revisited

TBA = to be affirmed – Bands and Times can be changed

 

New things coming on Angelo’s Rock Orphanage

Turn up to 11

Well…. it’s been quiet her for the past two weeks, except for the Track-of-the-day. That will change shortly, as new reviews are pending for Manning, This Raging Silence, Harvest and Steam Theory. Also in the making is an article that is not a review, nor a track of the day, but definitely related to an album still on my review list. The title will be Why you should always turn it up to 11, and it will be contain input from Colin TenchJohn MitchellSteven Wilson, and the guys from Rush. Now what could that be about…. I know, and soon so will you. Keep an eye out for my blog the coming week!

P.S. Some time in the next couple of weeks, when I find the time to make some configuration changes, this blog will also become available under http://www.angelosrockorphanage.com 🙂

Track of the Day: Unified Past – Hot

Today, Unified Past announced their new album, due some time this summer. That is going to be a blast, I’m sure, because Phil Naro will join them on vocals – taking over from guitarist Stephen Speelmann, who will focus solely on his magnificent guitar work this time. To celebrate this news, what better track of the day than an instrumental from their previous album, Spots (2013)? Enjoy Hot, and imagine what the voice of Phil will add in a few months…

Track of the day: PFM – La Carrozza di Hans

Of the old Italian prog bands, PFM has always been my favourite. This track, from 1972, shows what this band was capable of – the build up from the quiet, acoustic guitar up to the wild ride at the end… La Carroza di Hans means The Carriage of Hans. A carriage I’d ride anyday… except the day after the previous ride (unless there are soft cushions on the seats). Enjoy the ride!

Gig report – UK at De Boerderij (Zoetermeer, NL) – 28-2-2015

Now you can’t know every track of every band that ever made their way into the progressive rock arena, but one has to know U.K. And maybe to have seen them as well – which will become difficult now that they are on their ‘final tour’. So, I went to see them, at De Boerderij in Zoetermeer. Without my camera, since camera’s and other recording devices were not allowed.

UK-2015

I did bring my phone, but the pictures I took with that are not blog-worthy, so this will be a text only report, unfortunately. I’m glad I left my camera at home though: people’s phones were almost smacked out of their hands by security when they tried to take a photograph. Rules are rules, but prog fans are not exactly hooligans, dear folks of De Boerderij…

Now, to be honest, I had not played any UK album for a few years before I went, so I had to prepare by playing their Reunion live album on the day of the gig. Which I did. And I played it on the way back home as well, to hold on to the feeling of the concert. A concert that was not extremely spectacular, but that made me feel like I had a great evening.

The band opened with Thirty years, initially with only Eddie Jobson and John Wetton on stage, joined soon by drummer Virgil Donato and guitarist Alex Machacek.

The band took us through a nice set of UK classics (see list below), with Jobson and Wetton, the old guys, taking the lead of course. That means that there was a lot of keyboard and violin violence, supported by a massive layer of bass. Eddie sure knows how to send a drone into the audience, glad De Boederij is a solidly constructed building. On the other hand, if part of it had collapsed, the problem of finding a parking space would’ve become much smaller.

Where necessary, John clearly indicated his voice hasn’t gotten worse (nor better), and both men took their time addressing the audience, with short stories about the past of the band and the occasional joke. There’s enough energy there to complete the tour, I’m sure – but apparently these men have had their share over the past 40+ years – of which U.K. only covers a meagre 38.

It’ hard to say which of the songs the band played impressed me most, given that I wasn’t completely up to speed with their works. I enjoyed the concert a lot, and was pleasantly surprised with the power the band still radiates. Only minus was that the Eddie and John show seemed somewhat disrespectful toward Donati and Machaceck. Donati got his (brilliantly executed) drum solo, Machacek remained in the shadows of (mainly) Eddie Jobson. At some point, I saw people wondering how Alex played these high notes on his guitar so low on the neck, only realising after a few seconds they were actually listening to Eddie playing ‘guitar’ on an electrical violin. Pity to see a good musician being overshadowed in this way. This focus on the band’s founders was confirmed again in the encore, which they did as a duo, and the other two did not show up for the final applause.

A small blemish on an otherwise great concert, but I guess the two have agreed to this before for the entire tour. Either way, if you have a chance to catch them on one of the remaining gigs of this tour – by all means make sure you get a ticket.

Thirty Years
Nevermore
Carrying No Cross
Alaska
Time to Kill
Violin/Keyboard Solo (E. Jobson)
Rendezvous 6:02
Drum Solo (V. Donati)
In the Dead of Night
By the Light of Day
Presto Vivace and Reprise
Forever Until Sunday (Bruford cover)
Encore:
Caesar’s Palace Blues
The Only Thing She Needs
Carrying No Cross (reprise)

Top blog entries of the past 30 days

These are the 10 most popular entries on my blog over the past 30 days. Great job by Unto Us – this is the only audio recording from their album that is available online as far as I know…

ANGELOS ROCK ORPHANAGE

Track of the Day: Unto Us – These Four Walls
Angelo’s Rock Orphanage – how about that?
Edison’s Children – The Final Breath Before November
Colin Tench December 2014 interview
Track of the Day: Fractal Mirror – Stars
Track of the Day: Pain of Salvation – Falling Home
Track of the Day: Peter Matuchniak – Product
TotD: Grobschnitt – Solar Music
Night of the Prog @ Loreley, 17-19 July 2015 (part 2)
Track of the Day: Gong – Fohat Digs Holes in Space

 

Entity – Il Falso Centro

Entity is an Italian band, founded as far back as 1994. After several years of performing live and going through a few line up changes, the band finally released their debut album Il Falso Centro. The album tells the story of someone going through an identity crisis, based on poems by Yuri Deriu. An interesting idea, and worked out in a surprising way, given that the album is largely instrumental.

entity

In being instrumental, the bass and keyboards of band founders Gigo Lungo and Mauro Mulas dictate the music to a large extend, as with other Italian bands like Le Orme and Banco del Mutuo Soccorso. The opening track Davanti alla Specchio is the best example of that, with the main part of the song being piano and bass only. The other instruments only join in to create a bridge to the following track Il Desiderio, which has a jazzy bass line and interesting dialog between the guitar and keyboards.

On Il Tempo, keyboards and strings are the main element, with a metallic guitar riff in the choruses. It is a melancholic track, with a nice piano part at the end. This is a perfect intro for Trip Dell’Ego, which is a full blown progressive rock song. Piano parts, guitar and bass dialogs, and a symphonic eruption of the keyboards lead to a sung poem of Yuri Deriu. This one needs a few listens to sink in, but it is very well composed.

The next two tracks, ANT, and L’Armatura, are the heaviest of the album. L’Armatura is a 12 minute epic with metal influences and emotional vocals. To cool off after that, the band included the six minute piano piece La Notta Oscura Dell’anima.

This album is almost a 21st century tribute to older Italian symphonic rock bands. Keyboards are in the lead, but never overpower the music – and although there are references to the 30 year old Italian prog in there, it never sounds out dated or old fashioned.